Mar
1
2005
the scribes have it
Rob suggested tonight over kabobs and tea that the screenwriting Oscar awards serve as better indicators of a given year’s best movies — moreso than the “Best Picture” award. To test that theory, here are screenplay and movie Oscar winners for the past ten years:
| Year | Adapted Screenplay | Original Screenplay | Best Picture |
|---|---|---|---|
| 2004 | Sideways | Eternal Sunshine of the Spotless Mind | Million Dollar Baby |
| 2003 | The Lord of the Rings: The Return of the King | Lost in Translation | The Lord of the Rings: The Return of the King |
| 2002 | The Pianist | Talk to Her | Chicago |
| 2001 | A Beautiful Mind | Gosford Park | A Beautiful Mind |
| 2000 | Traffic | Almost Famous | Gladiator |
| 1999 | The Cider House Rules | American Beauty | American Beauty |
| 1998 | Gods and Monsters | Shakespeare in Love | Shakespeare in Love |
| 1997 | L.A. Confidential | Good Will Hunting | Titanic |
| 1996 | Sling Blade | Fargo | The English Patient |
| 1995 | Sense and Sensibility | The Usual Suspects | Braveheart |
Comparing the results against my own movie preferences, I think that theory holds some water. (Granted, most years the moviemaking world produces far more “best” movies than the ones that get recognized, so such lists can never be taken to be at all definitive. Still, fascinating.)